Want to Sell Andy Warhol Gems Screenprint? Published in 1978, the four screenprints turn gemstones into still lifes of vivid color, facets and drawn outlines. Identifying the composition, edition markings, individual variation and condition is the starting point for a useful valuation.
Our gallery offers a free, confidential valuation of individual Gems prints and complete four-print portfolios. Send photographs and available ownership records to discuss your work and a potential direct purchase offer.
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Andy Warhol Gems: the 1978 edition
The Gems portfolio comprises four screenprints, Feldman & Schellmann II.186–189, published in a numbered edition of 20, with five artist’s proof sets alongside it. An important feature is the use of unique variations within the numbered edition for the first three compositions.
1978 · Andy Warhol Enterprises, Inc., New York
Screenprint on Strathmore Bristol paper
Approximately 30 × 40 in.
(76.2 × 101.6 cm) per sheet
20, plus 5 artist’s proofs
Four prints · F&S II.186–189
The portfolio was printed by Rupert Jasen Smith, New York. Published examples carry Warhol’s felt-tip signature and edition numbering. Include clear photographs of the autograph, complete edition inscription and accessible reverse markings or labels.
Gemstones as Pop Art still lifes
Across the four compositions, Warhol enlarges small luxury objects into prominent graphic forms. Blocks of color, crosshatched shadows and strong outlines describe their surfaces. The shapes of cut stones remain recognizable while their facets become an opportunity to explore overlapping planes and contrasting hues.
The series rewards close comparison. Background colors, shadow shapes and the treatment of the stones change the appearance of an individual print. Those differences matter when identifying and valuing a particular impression, especially in a portfolio that incorporates variable printing.
The four Andy Warhol Gems compositions
Compare the catalogue references below. These illustrations are examples of the four compositions. The first three occur in unique variations, so your palette or printed details may differ. The F&S reference identifies the composition; the edition fraction identifies an individual impression.

F&S II.186

F&S II.187

F&S II.188

F&S II.189
Unique variations within the numbered edition
F&S II.186, II.187 and II.188 were issued in unique variations; II.189 follows a consistent published image. Portfolios therefore combine variable impressions of the first three compositions with the fourth print. A complete set does not have to reproduce the exact palettes illustrated on this page.
A documented II.186 impression numbered 13/20, for example, is explicitly described as a unique screenprint from the variable edition. Uniqueness can be part of the regular numbered publication. It does not automatically identify a trial proof or a painting.
If your colors or details look unfamiliar, send photographs of the complete image and its markings. Review should consider the composition, printing, paper, autograph and ownership records together. An unusual palette alone cannot establish authenticity or proof status.
Signatures, edition numbers and proof inscriptions
Signed and numbered impressions
Published Gems impressions carry Warhol’s felt-tip signature and edition numbering. Photograph all markings along the lower edge, together with accessible reverse labels, stamps and inscriptions. Signature placement should be recorded for the particular sheet.
For example, F&S II.187 identifies one composition. A fraction such as 12/20 identifies an impression from the numbered edition. Keep both references in your records where known; they serve different purposes.
Artist’s proofs and printer’s proofs
There are five artist’s proof sets alongside the numbered edition of 20. An A.P. inscription records artist’s proof status. Printer’s proofs are also documented, including examples numbered in Roman numerals. Photograph the complete notation exactly as it appears.
A proof designation does not, by itself, establish authenticity or guarantee a higher value. Likewise, a print’s unique appearance should not be used to assign proof status without reviewing its inscriptions and publication history.
What affects the value of an Andy Warhol Gems Screenprint?
A useful valuation identifies the composition, individual variation and edition or proof type, then examines the condition and documentation of the sheet. An individual print and a complete four-print portfolio require different comparisons.
- Composition and variation: the F&S number, specific palette, printed details, edition fraction and proof markings.
- Printed surface: fading, scratches, rubbing, scuffs, ink losses, retouching and restoration.
- Paper and margins: foxing, stains, discoloration, creases, tears, trimming and mounting adhesive.
- Signature and provenance: the autograph’s legibility and condition, numbering, labels, invoices and available ownership records.
- Portfolio completeness: whether all four compositions are present, their edition numbers, individual condition and any accompanying portfolio documentation.
A frame can conceal paper edges and reverse markings. Photographs of the framed work are sufficient to begin an inquiry. Read our Andy Warhol value guide for more about the assessment process.
How to sell your Andy Warhol Gems Screenprint
For an initial gallery review, send:
- A full front photograph. Use even lighting without filters and show the entire image and visible paper edges.
- Signature and edition photographs. Include close-ups of the autograph, numbering, proof inscriptions and accessible reverse markings or labels.
- Measurements and condition details. Distinguish sheet dimensions from frame dimensions and show any known damage or restoration.
- Available ownership records. Include invoices, certificates or previous sale information. For a portfolio, provide photographs and numbering for all four prints.
Our gallery will review the information and discuss the next steps. If the work is suitable for our inventory, we can discuss a potential direct purchase offer. Further examination may be needed before an offer is confirmed. There is no obligation to sell.
Learn more about selling an Andy Warhol artwork, or contact our gallery about your Gems print.
Questions from Gems Screenprint owners
Can I sell a single Gems Screenprint?
Yes. Individual compositions and proof impressions can be reviewed separately. You do not need the complete four-print portfolio to make an inquiry.
Does a unique Gems impression mean it is a painting?
A unique variation can be a screenprint within the numbered Gems edition. Identifying the medium requires review of the physical work, paper, printing and documentation. Describe the support and send photographs of the image, edges and markings.
Can you review my print without its original invoice?
Yes. Send photographs and the ownership history you know, together with any available labels or records. Further research or examination may be needed before a purchase offer is confirmed.
Request your confidential Gems print valuation
Tell us about your Andy Warhol Gems print or complete portfolio. Use the form below to send photographs, edition details and available ownership records for a free initial valuation.
Prefer to start with a conversation? Contact our gallery.
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